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How are you, Anne Washburn?Īnne Washburn: I’m just fine, as everyone says these days. This conversation took place between London and New York and was recorded on Zoom on 18th December 2020.

Washburn and Icke are reunited in this Salon for a chat about the ‘pandemic apocalypse’ – but this is also a conversation about theatre, history and culture now. What are the responsibilities of creatives at a time when sociality is banned and the circulation of ideas increasingly mediated? What sounds will be remembered from this time? What will remain as the preserved stories of our civilisation? Robert Icke is an award-winning British writer and director, and former associate director at the Almeida in London. In 2018, he won the Kurt Hübner Award for his debut production of Oresteia in Germany, and was elected Fellow of the Royal Society of Literature. He won the ’Best Director’ Olivier Award for his 2015 production of Oresteia at the Almeida and the West End, which also won the ‘Best Director’ prize at both the Critics Circle and Evening Standard Theatre Awards. His production of 1984 won ‘Best Director’ at the UK Theatre Awards 2014 and ‘Best Director’ at the Liverpool Arts Awards 2013. Burns, The Internationalist, A Devil at Noon, Apparition, The Communist Dracula Pageant, I Have Loved Strangers, The Ladies, The Small and a transadaptation of Euripides’ Orestes. She has won a number of awards including a Guggenheim, an NYFA Fellowship and a Time Warner Fellowship, and was a Susan Smith Blackburn prize finalist in 2020 for Shipwreck. This play, as noted by Lyn Gardner in The Guardian at the time, ‘celebrate the power of storytelling, the imperfections of memory and ask what might endure : Homer or Homer Simpson?’Īnne Washburn is an internationally renowned experimental American playwright whose plays include Mr. Our guests today are Anne Washburn and Robert Icke, the playwright-director team behind the 2014 critical and box office hit Mr Burns: A Post-Electric Play, at the Almeida Theatre. Duška Radosavljević: Hello and welcome to the Salon.

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